Arkady of Novotorzhsk (d. c. 1077) was an Orthodox monk, a disciple and co-worker of Ephrem of Novotorzhsk. He is a saint of the Russian Church, honoured as a Venerable. The original image is an icon of Venerable Arkady of Novotorzhsk, Vyazemsk.
Not for sale
TITLE: Icon of Venerable Arkady of Novotorzhsk, Vyazemsk YEAR: 2024 ARTWORK TYPE: Original Art/One of a kind DIMENSIONS: 20х28 cm TECHNIQUES: Carving, burning, acrylic RELATED THEMES: Religious art, Christian art SUPPORT OR SURFACE: Wood FRAMING: No
From a physical point of view, an ornament is simply some kind of pattern that is aesthetically appealing. But this is only a superficial understanding. Such patterns are a more perfect language, in which you can talk not only with other people, but also with the Universe. Ornaments in the ancient Slavs were used as amulets: it is not just a tradition, it is something that really works. The ancient Slavs knew that with the help of ornaments you can express the very language of Nature, which has never been hostile to people. And by using ornaments, you can attract divine forces for your defence. It was also found out that images and patterns of our ancestors are not just drawings — they are able to deliver information to the oldest part of the brain — the medulla oblongata, where the deepest codes of our memory are stored. Thus, Slavic patterns are able to have a profound positive effect on both the body and consciousness of a person. Ornaments reflect the impact of sound, and therefore such patterns themselves are also capable of structuring water and, therefore, directly influence human health, harmonise all its internal systems with nature. Thus, the clothes of the ancient Slavs, embroidered with sacral ornaments, can not only correct DNA failures, improve health, harmonise consciousness, but also at a deep level to establish harmony between people and nature. Ancient Slavic ornaments are not just patterns, but sacral symbols, which are able to restore a person’s health, harmonise his consciousness, increase awareness and a sense of unity with the Universe.
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TITLE: Ornament YEAR: 2024 ARTWORK TYPE: Original Art/One of a kind DIMENSIONS: 45х25 cm TECHNIQUES: Acrylic RELATED THEMES: Ornament SUPPORT OR SURFACE: Canvas FRAMING: No
TITLE: Flowering chestnut YEAR: 2024 ARTWORK TYPE Original Art/One of a kind DIMENSIONS A3 (29.7 cm x 42 cm) TECHNIQUES Watercolor RELATED THEMES Flowers SUPPORT OR SURFACE Cardboard, mat FRAMING No
TITLE: Magnolia flower Sketch of an etude «Magnolia flower» YEAR: 2024 ARTWORK TYPE: Original Art/One of a kind DIMENSIONS: A3 (29.7 cm x 42 cm) TECHNIQUES: Pencil RELATED THEMES: Still life art SUPPORT OR SURFACE: Paper FRAMING: No
Somewhere in Germany Sketch of an etude «Somewhere in Germany» YEAR: 2024 ARTWORK TYPE: Original Art/One of a kind DIMENSIONS: A3 (29.7 cm x 42 cm) TECHNIQUES: Pencil RELATED THEMES: Still life art SUPPORT OR SURFACE: Paper FRAMING: No
TITLE: Rooster Sketch of an etude «Rooster» YEAR: 2024 ARTWORK TYPE: Original Art/One of a kind DIMENSIONS: A3 (29.7 cm x 42 cm) TECHNIQUES: Pencil RELATED THEMES: Still life art SUPPORT OR SURFACE: Paper FRAMING: No
TITLE: Bookshelf Sketch of an etude «Bookshelf» YEAR: 2023 ARTWORK TYPE: Original Art/One of a kind DIMENSIONS: A3 (29.7 cm x 42 cm) TECHNIQUES: Pencil RELATED THEMES: Still life art SUPPORT OR SURFACE: Paper FRAMING: No
TITLE: Dessert Sketch of an etude «Dessert» YEAR: 2023 ARTWORK TYPE: Original Art/One of a kind DIMENSIONS: A3 (29.7 cm x 42 cm) TECHNIQUES: Pencil RELATED THEMES: Still life art SUPPORT OR SURFACE: Paper FRAMING: No
TITLE: Fish delicacy Sketch of an etude «Fish delicacy» YEAR: 2023 ARTWORK TYPE: Original Art/One of a kind DIMENSIONS: A3 (29.7 cm x 42 cm) TECHNIQUES: Pencil RELATED THEMES: Still life art SUPPORT OR SURFACE: Paper FRAMING: No
TITLE: Apples on fabric Sketch of an etude «Apples on fabric» YEAR: 2023 ARTWORK TYPE: Original Art/One of a kind DIMENSIONS: A3 (29.7 cm x 42 cm) TECHNIQUES: Pencil RELATED THEMES: Still life art SUPPORT OR SURFACE: Paper FRAMING: No