Today, the international art exhibition ‘Art Without Borders’ opened at the Dovzhenko Cultural Centre in Lviv.
The world of art is an endless exploration of the surrounding world, its analysis and interpretation through visual experiments and profound self-expression. The art exhibition ‘Art Without Borders’ is an attempt to explore the boundaries of existence in the concept of modern Ukraine through self-expression via art – colour and form. The exhibition will run until mid-November. I invite everyone interested in contemporary Ukrainian painting to attend.
The painting, which is the right-hand panel of the triptych ‘Freedom’, depicts Grand Prince Vladimir Sviatoslavich of Kiev, under whose rule the Christianisation of Rus took place. The theme that unites the paintings in this triptych is, first and foremost, the coat of arms of our state, the continuity of generations, the continuity of history, and the interconnection of important historical events. The trident depicted on Prince Vladimir’s shield has been a symbol of our country since ancient times. Even in the days of Kievan Rus, the definition of state power and the continuity of statehood traditions, symbolised by the trident, was of great importance. The history of the trident dates back to the time of the Rurikids, who used it literally everywhere: from money to bricks for building structures. But the trident appeared much earlier on the territory of modern Ukraine. Archaeological finds indicate that the Trypillians used the trident as a sign of elders as early as the 3rd-4th centuries BC. Many different hypotheses have been put forward as to what the Ukrainian coat of arms symbolises. None of them has been fully proven, so there is still no reliable and comprehensive interpretation. A fairly common opinion is that the trident symbolises Rarok, the messenger of heavenly justice, or a falcon flying down. In many cultures, this bird was of great importance, as it was the embodiment of victory over evil, a symbol of power, indestructible strength and valour. In ancient Slavic culture, the falcon also occupied a special place at the top of the world tree. Among the various interpretations, there are other associations, including that the Ukrainian trident is an ancient religious symbol, a tripod candlestick, an anchor, an ear of wheat, a crown, a bow and arrow, and a triune sacrifice for the victory of life over death. Some experts on Ukrainian culture believe that the coat of arms of Ukraine can be deciphered as the word ‘VOLYA’ (This ancient russian word has several meanings: will, liberty, freedom), the letters of which make up the modern trident. But whatever it symbolises, the trident symbolises above all the will of the people, the indestructibility of the country, and embodies the connection between generations. Today, the trident is the coat of arms of Ukraine and has long been a symbol of the indestructibility and struggle of Ukrainians for freedom.
Prince Volodymyr — godfather of Kievan Rus
Prince Volodymyr — godfather of Kievan Rus. Close-up
Prince Volodymyr — godfather of Kievan Rus. Sidepiece. Close-up
Prince Volodymyr — godfather of Kievan Rus. Close-up. Signature of the artist
Prince Volodymyr — godfather of Kievan Rus. Frame option
If you are interested in this painting and would like to purchase it, please fill out and send the feedback form on the home page. You can also purchase this painting at the online galleries linked on the home page. Dispatch from Kiev (Ukraine)
TITLE: Prince Volodymyr — godfather of Kievan Rus Triptych “Freedom”. Right part YEAR: 2025 ARTWORK TYPE: Original Art/One of a kind DIMENSIONS: 60х80cm TECHNIQUES: Oil RELATED THEMES: Portrait, history SUPPORT OR SURFACE: Canvas on the canvas-stretcher FRAMING: No CATALOGUE N: Kovalska133r
Vikentiy Khvoika (real name Čeněk Chvojka, Czech) was a self-taught Russian archaeologist of Czech origin, one of the founders of Ukrainian archaeology, the discoverer of the Trypillian culture in the Kyiv region, and a researcher of the Scythian, Zarubintsy (3rd century BC — 4th century AD), Chernyakhov (2nd—7th centuries) and early Slavic cultures. In 1907, during archaeological excavations in Kiev, Chvojka stumbled upon a unique find — an ancient plinth with a trident engraved on it. It was the symbol of Vladimir Sviatoslavich, which later became the coat of arms of independent Ukraine. The painting, which is the left part of the triptych ‘Freedom’, depicts the moment when the ancient symbol of princely power was found. The theme that unites the paintings in this triptych is, first and foremost, the coat of arms of our state, the continuity of generations, the continuity of history, and the interconnection of important historical events. The trident has been a symbol of our country since ancient times. Even in the days of Kievan Rus, the definition of state power and the continuity of statehood traditions, symbolised by the trident, was of great importance. The history of the trident dates back to the time of the Rurikids, who used it literally everywhere: from money to bricks for building structures. But the trident appeared much earlier on the territory of modern Ukraine. Archaeological finds indicate that the Trypillians used the trident as a sign of elders as early as the 3rd-4th centuries BC. Many different hypotheses have been put forward as to what the Ukrainian coat of arms symbolises. None of them has been fully proven, so there is still no reliable and comprehensive interpretation. A fairly common opinion is that the trident symbolises Rarok, the messenger of heavenly justice, or a falcon flying down. In many cultures, this bird was of great importance, as it was the embodiment of victory over evil, a symbol of power, indestructible strength and valour. In ancient Slavic culture, the falcon also occupied a special place at the top of the world tree. Among the various interpretations, there are other associations, including that the Ukrainian trident is an ancient religious symbol, a tripod candlestick, an anchor, an ear of wheat, a crown, a bow and arrow, and a triune sacrifice for the victory of life over death. Some experts on Ukrainian culture believe that the coat of arms of Ukraine can be deciphered as the word ‘VOLYA’ (This ancient russian word has several meanings: will, liberty, freedom), the letters of which make up the modern trident. But whatever it symbolises, the trident symbolises above all the will of the people, the indestructibility of the country, and embodies the connection between generations. Today, the trident is the coat of arms of Ukraine and has long been a symbol of the indestructibility and struggle of Ukrainians for freedom.
Vikentiy Khvoyka. Kyiv artefacts from the princely era
Vikentiy Khvoyka. Kyiv artefacts from the princely era. Close-up
Vikentiy Khvoyka. Kyiv artefacts from the princely era. Close-up
Vikentiy Khvoyka. Kyiv artefacts from the princely era. Sidepiece. Close-up
Vikentiy Khvoyka. Kyiv artefacts from the princely era. Close-up. Signature of the artist
Vikentiy Khvoyka. Kyiv artefacts from the princely era. Frame option
If you are interested in this painting and would like to purchase it, please fill out and send the feedback form on the home page. You can also purchase this painting at the online galleries linked on the home page. Dispatch from Kiev (Ukraine)
TITLE: Vikentiy Khvoyka. Kyiv artefacts from the princely era Triptych “Freedom”. Left part YEAR: 2025 ARTWORK TYPE: Original Art/One of a kind DIMENSIONS: 60х80cm TECHNIQUES: Oil RELATED THEMES: Portrait, history SUPPORT OR SURFACE: Canvas on the canvas-stretcher FRAMING: No CATALOGUE N: Kovalska133l
The painting, which is the central part of the triptych ‘Freedom’, depicts Mykhailo Hrushevsky, a Ukrainian historian, public figure and politician. He was the chairman of the Central Rada of the Ukrainian People’s Republic (1917-1918). At Hrushevsky’s suggestion, on 12 (25) February, at a meeting of the Small Rada in Korosten, the trident was approved as the coat of arms of the Ukrainian People’s Republic, and it became the coat of arms of independent Ukraine in 1991. The theme that unites the paintings in this triptych is, first and foremost, the coat of arms of our state, the continuity of generations, the continuity of history, and the interconnection of important historical events. The trident has been a symbol of our country since ancient times. Even in the days of Kievan Rus, the definition of state power and the continuity of statehood traditions, symbolised by the trident, was of great importance. The history of the trident dates back to the time of the Rurikids, who used it literally everywhere: from money to bricks for building structures. But the trident appeared much earlier on the territory of modern Ukraine. Archaeological finds indicate that the Trypillians used the trident as a sign of elders as early as the 3rd-4th centuries BC. Many different hypotheses have been put forward as to what the Ukrainian coat of arms symbolises. None of them has been fully proven, so there is still no reliable and comprehensive interpretation. A fairly common opinion is that the trident symbolises Rarok, the messenger of heavenly justice, or a falcon flying down. In many cultures, this bird was of great importance, as it was the embodiment of victory over evil, a symbol of power, indestructible strength and valour. In ancient Slavic culture, the falcon also occupied a special place at the top of the world tree. Among the various interpretations, there are other associations, including that the Ukrainian trident is an ancient religious symbol, a tripod candlestick, an anchor, an ear of wheat, a crown, a bow and arrow, and a triune sacrifice for the victory of life over death. Some experts on Ukrainian culture believe that the coat of arms of Ukraine can be deciphered as the word ‘VOLYA’ (This ancient russian word has several meanings: will, liberty, freedom), the letters of which make up the modern trident. But whatever it symbolises, the trident symbolises above all the will of the people, the indestructibility of the country, and embodies the connection between generations. Today, the trident is the coat of arms of Ukraine and has long been a symbol of the indestructibility and struggle of Ukrainians for freedom.
Mykhailo Hrushevsky. A historical view of the political unity of the nation
Mykhailo Hrushevsky. A historical view of the political unity of the nation. Close-up
Mykhailo Hrushevsky. A historical view of the political unity of the nation. Close-up
Mykhailo Hrushevsky. A historical view of the political unity of the nation. Sidepiece. Close-up
Mykhailo Hrushevsky. A historical view of the political unity of the nation. Close-up. Signature of the artist
Mykhailo Hrushevsky. A historical view of the political unity of the nation. Frame option
If you are interested in this painting and would like to purchase it, please fill out and send the feedback form on the home page. You can also purchase this painting at the online galleries linked on the home page. Dispatch from Kiev (Ukraine)
TITLE: Mykhailo Hrushevsky. A historical view of the political unity of the nation Triptych “Freedom”. Central part YEAR: 2025 ARTWORK TYPE: Original Art/One of a kind DIMENSIONS: 60х80cm TECHNIQUES: Oil RELATED THEMES: Portrait, history SUPPORT OR SURFACE: Canvas on the canvas-stretcher FRAMING: No CATALOGUE N: Kovalska133c
On 2 August 2024, the Shostka Art Centre in Shostka, Sumy Oblast, hosted the opening of the art exhibition ‘Unconquered Borderlands’ as part of the All-Ukrainian art project ‘Unconquered Ukraine’. During the exhibition, 90 participants presented 190 works, united by the goal of showing the indomitable heroic resistance of the Ukrainian people in their struggle against the enemy. The meeting was attended by the vice-president of the National Academy of Arts of Ukraine, artist, honoured worker of culture of Ukraine, associate professor Yurii Vakulenko, who noted that the Academy supports such projects that demonstrate the resilience of compatriots: «This exhibition uses art to show the spirit of those cities that were the first to suffer barbaric aggression. But this did not break the powerful inner strength of our people.» The National Academy of Arts of Ukraine also awarded the Mayor of Shostka, Mykola Noha, with the Grand Silver Medal. The exhibition was organised by the National Union of Artists of Ukraine.
The art exhibition ‘Unconquered Borderlands’ as part of the All-Ukrainian art project ‘Unconquered Ukraine’
Certificate of participation in the All-Ukrainian cultural and artistic project “Unconquered Borderlands”
The art exhibition ‘Unconquered Borderlands’
The art exhibition ‘Unconquered Borderlands’
The art exhibition ‘Unconquered Borderlands’
The art exhibition ‘Unconquered Borderlands’. Grand opening
The art exhibition ‘Unconquered Borderlands’. Grand opening
The art exhibition ‘Unconquered Borderlands’. Grand opening
The project partners are the National Academy of Arts of Ukraine, the Ministry of Culture and Information Policy of Ukraine, the National Academy of Sciences of Ukraine, the H.S. Skovoroda Kharkiv National Pedagogical University, and the Shostka City Council. My painting ‘God, save the children, please!’ is participating in the exhibition.
The All-Ukrainian exhibition Art Happens, filled with beauty, warmth, and a variety of colors, opened at the I.P. Kavaleridze Museum-Workshop. The organizer of the project is BARVY ZHYTTIA (Colors of Life). Kyiv. I invite everyone to visit the exhibition and be inspired by the creativity of contemporary artists. Address: Kyiv, Andriivskyi Uzviz, 21. The exhibition will run from July 30 to August 8
All-Ukrainian exhibition Art Happens
All-Ukrainian exhibition Art Happens. At the opening of the exhibition
All-Ukrainian exhibition Art Happens
All-Ukrainian exhibition Art Happens. Awarding of diplomas
In this painting, I tried to convey the power of nature through an expressionist-style depiction of a waterfall. Bright, contrasting colours create a sense of dynamic water flow crashing onto rocks, filling the space with energy and power. The image conveys a sense of lively movement and emotional tension, reflecting my impressions after visiting the famous waterfall. The painting invites the viewer to immerse themselves in the world of nature, full of power, beauty and constant movement.
I started this painting in August 2024, immediately after visiting Niagara Falls. But circumstances forced me to leave and leave the painting in the United States. Almost a year later, I was able to finish it. I relived the impressions of this magnificent sight and tried to transfer these impressions onto the canvas. I think it turned out quite well.
Niagara Falls. The rainbow colours of a natural wonder
Niagara Falls. The rainbow colours of a natural wonder. Close-up
Niagara Falls. The rainbow colours of a natural wonder. Close-up
Niagara Falls. The rainbow colours of a natural wonder. Close-up
Niagara Falls. The rainbow colours of a natural wonder. Close-up. Signature of the artist
Niagara Falls. The rainbow colours of a natural wonder. Signature of the artist
Niagara Falls. The rainbow colours of a natural wonder. Backside signed by the artist
Niagara Falls. The rainbow colours of a natural wonder. Sidepiece. Close-up
Diploma of participation in an art exhibition on the birthday of BB Art Gallery. Odessa
If you are interested in this painting and would like to purchase it, please fill out and send the feedback form on the home page. You can also purchase this painting at the online galleries linked on the home page. Dispatch from Kiev (Ukraine)
TITLE: Niagara Falls. The rainbow colours of a natural wonder YEAR: 2024 ARTWORK TYPE: Original Art/One of a kind DIMENSIONS: 60x30cm TECHNIQUES: Acrylic RELATED THEMES: Landscape painting SUPPORT OR SURFACE: Canvas on the canvas-stretcher FRAMING: No CATALOGUE N: Kovalska134
The painting continues my collection ‘War in Ukraine’. And the main theme in it is the hope for dawn after a long, long night, which is evidenced by the flowers ready to blossom on the trees and a blossoming tulip on the ruins of a house. And the first rays of the rising sun are already visible on the walls of the empty and ruined houses.
A little more — and the flowers on the trees will bloom…
A little more — and the flowers on the trees will bloom… Close-up
A little more — and the flowers on the trees will bloom… Close-up
A little more — and the flowers on the trees will bloom… Close-up. Signature of the artist
Diploma of the winner of the qualifying competition and participant in the art exhibition dedicated to the anniversary of Lina Kostenko, ‘Draw Me a Poem,’ an author’s project by Vanda Orlova.
I painted this picture in the format of an art battle organized by the Ukrainian art association Art Fine Nation. The competition was called ‘Paint me a poem by Lina Kostenko’. The artists chose a poem from those proposed by Art Fine Nation and an art pair of artists who chose the same poem. Then, for 10 days, the pair of artists painted paintings (each of them their own) on the theme of the poem. The paintings then took part in a selection competition, and the winners will be presented at the collective exhibition in Kiev.
A little more, a little more – and the flowers on the trees will bloom, and the will fly around like a rhizomes’ dream.
War paints watercolour paintings with blood. Its palette – is the ashes of fires.
Its landscape – is the ruins of neighbourhoods. Empty streets are faded pastels.
Unless some tulips suddenly sprout somewhere through the groaning rubble.
Lina Kostenko
The painting is the winner of the qualifying competition and participant in the art exhibition dedicated to the anniversary of Lina Kostenko, ‘Draw Me a Poem,’ an author’s project by Vanda Orlova
The painting was featured in the art exhibition ‘Draw Me a Poem by Lina Kostenko,’ held in Kyiv in the hall of the multifunctional centre of the Pechersk District State Administration. (Historical Centre of Kyiv)
If you are interested in this painting and would like to purchase it, please fill out and send the feedback form on the home page. You can also purchase this painting at the online galleries linked on the home page. Dispatch from Kiev (Ukraine)
TITLE: A little more — and the flowers on the trees will bloom… COLLECTION: War in Ukraine YEAR: 2025 ARTWORK TYPE: Original Art/One of a kind DIMENSIONS: 70 х 50 sm TECHNIQUES: Oil, Acrylic RELATED THEMES: City landscape, War SUPPORT OR SURFACE: Canvas on the canvas-stretcher FRAMING: No CATALOGUE N: Kovalska131
Today, 28.05.2025, I, Yulia Kovalska and my colleague, an artist from Vinnitsa, Olesya Hetman start the Art Battle organised by Art Fine Nation on Lina Kostenko’s poem ‘A little more, a little more…’.
Art Battle is an artistic competition among Ukrainian artists with the title ‘Draw me a poem by Lina Kostenko’. The theme is visualisation of Lina Kostenko’s poems.
Artists choose a poem they want to visualise, choose a partner with whom they will compete and in 10 days they have to paint a picture, which is then exhibited at the competition.
Chamomile is a symbol of purity and tenderness, a drop of sunshine on earth, a smile of nature, a gentle embodiment of summer and joy. You can write a thousand more such epithets and still they will not convey all the charm, purity and, at the same time, simplicity of this flower. That is what I have tried to depict in this painting. And besides it is still the main flower on which guess on the beloved (loves-not-loves), tearing off the petals. And the proof of love can be found in the only surviving petal of the chamomile, after all the others have been torn off.
Chamomiles. Little suns in a vase
Chamomiles. Little suns in a vase. Close-up
Chamomiles. Little suns in a vase
Chamomiles. Little suns in a vase
Chamomiles. Little suns in a vase
Chamomiles. Little suns in a vase. Interior: liviing-room with a picture on the wall
Available for sale from Dec2025
TITLE: Chamomiles. Little suns in a vase YEAR: 2025 ARTWORK TYPE: Original Art/One of a kind DIMENSIONS: А3 (30х42cm) TECHNIQUES: Oil RELATED THEMES: Flowers SUPPORT OR SURFACE: Canvas FRAMING: No CATALOGUE N: Kovalska130
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